Friday, 16 May 2014
Thursday, 15 May 2014
Monday, 12 May 2014
Friday, 2 May 2014
Representation and Ethics in Cartoons
Why does the write of the article believe Rio 2 is problematic in terms of its representations?
The
Writer of this article believes that Rio 2 is problematic in terms of
its representation, because the way each character has been presented,
connotes stereotypes and ethnics. The writer said that: "white-voiced
characters at the top (British just below mainstream American); other ethnicity below; darkest-skinned at the bottom."
Even thought the differences aren't visually shown they're normally there in the accent, but then this is relatively not far from the range of stereotyping them to the audience.
Even thought the differences aren't visually shown they're normally there in the accent, but then this is relatively not far from the range of stereotyping them to the audience.
What are PEPs and why are they an issue for racial representation?
"PEPs": Problem Contexts, Entertainment Contexts and Performance Contexts."
"Within
PEPs, black people and other genotypes have to be associated with
vexing circumstances," he says. "Strive to pacify, make others happy and
be exceptional or extraordinary – far from 'normal'. Villainy,
exoticism, jocularity and athleticism are common indicators of this
malaise. Images of ethnicity do not need to be conveyed within the
narrow scope of PEPs."
Why does Da Costa believe we end up with stereotypes in animation?
Da Costa thinks:- "Decisions on character and performance must be made quickly in order for design and production processes to commence and advance. So regarding representations of ethnicity and epidermal type, family animation often finds itself in a bind. It consciously and subconsciously weighs financial against moral obligations, then unconsciously opts for the 'safe' representational defaults – stereotypes."
Da Costa thinks:- "Decisions on character and performance must be made quickly in order for design and production processes to commence and advance. So regarding representations of ethnicity and epidermal type, family animation often finds itself in a bind. It consciously and subconsciously weighs financial against moral obligations, then unconsciously opts for the 'safe' representational defaults – stereotypes."
What does Turbo say about social mobility?
In the film turbo two of the main characters, of which run a home lead taco business stand, are mexican. and then the lady in the Hungovers Ken Jeong is a Vietnamese. So i think that this is showing the social mobility to be for only "white" characters according to what we see in Turbo and the "non-white" amongst others in the side walk.
In the film turbo two of the main characters, of which run a home lead taco business stand, are mexican. and then the lady in the Hungovers Ken Jeong is a Vietnamese. So i think that this is showing the social mobility to be for only "white" characters according to what we see in Turbo and the "non-white" amongst others in the side walk.
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